Named Patterns Inari dress in autumnal scuba

Inari tee dress in scuba

Firstly, a huge thank you for all the amazing, insightful, and interesting comments that people left on my last post, about giving up blogging. I really wanted to reply to them all but in the last month (!) since I posted it I’ve started a new job and winter has arrived and loads of other things happened that just ate up the whole of October somehow.

But it’s really reassuring to know that other people are pondering this stuff too, and also that not everyone has deleted this blog from their feed provider of choice yet. And yes I am still bitter about the death of Google Reader, thanks for asking. I will never forget. NEVER.

If you haven’t read the comments, I definitely recommend having a look – they’re a big improvement on my actual post which I mainly wrote as a distraction from having to watch yet another rugby match (I am unbelievably happy that the rugby world cup is finally over, it went on for about three years).

So anyway in between then and now I have made two Inari tee dresses by Named Clothing, which is roughly a 150% increase in sewing productivity.

This is version one:

inari tee dress scuba 1
I have new Clarks shoes! As usual.

I made a size 14 straight from the PDF. All I changed was to lengthen the sleeves so I could wear it without a cardigan in the winter. I mean obviously I mainly wear it with a cardigan anyway but it’s nice to have the option.

The fabric is an very odd scuba/ponte I got from Fabricland in Bournemouth ages ago. Can’t find it on their website now but it was very cheap.

Although I quite like the colour scheme, it does remind me of the time I left half a mug of tea in the kitchen sink before going on a two week holiday – white spots of mould over a weirdly mottled congealed brown mess.

Anyway it’s about as breathable as a plastic bag but it’s fine for the winter, and it’s incredibly stretchy and comfortable.

inari tee dress scuba back

The fit is not perfect – the neck is very high and when I sit down I find it a bit strangling. I think the shoulder line is sitting a bit far back which may be to blame. However in fabric this stretchy it’s not really a big deal. I should probably have sewed a 12 in the neck/sleeves area.

I LOVE that Named Patterns are drafted for taller people with long torsos. Even though their PDF prices do seem a bit steep I would pretty much pay anything to have a pattern I don’t have to lengthen. I like being taller at gigs but I curse it whenever I sew.

I would maybe add an extra inch or two (I’m 5 ft 9 for reference) but it’s wearable as it is I think.

It’s quite new for me to wear dresses like this that have absolutely no waist definition, but they are incredibly comfortable.

Also, despite basically being a giant sack, the design of this pattern is really good. The side seams curve round to the front in a nice, flattering way and the split level hem is genius.

inari tee dress shoes


Don’t have much else to say about this to be honest – I didn’t bother hand stitching down the sleeve cuffs, as there’s no way you’d notice in this fabric anyway.

I sewed the whole thing with a zig zag stitch on my machine and then finished the seams with the overlocker (although I didn’t need to). I just did a straight stitch for the hem and the sleeve cuffs.

I’m not 100% convinced about it, but on the plus side, it would make an excellent disguise if I ever need to hide in a giant pile of mouldy autumn leaves.

I have made another one of these dresses in denim which I will probably get around to blogging about in another month, so see you then!

Man’s check shirt from Paul Smith fabric

I was very late making this birthday present for Alex (6 weeks) and now I’m even later blogging about it.

alex shirt front 1

It’s a man’s shirt (duh), sewn from the pattern I traced from one of his existing shirts.

The fabric is Paul Smith flannel which I got from Croft Mill about a year ago. It’s super-soft but the trade-off is that it’s pilling already. Oh well.

The buttons are from I had the worst time trying to find grey shirt buttons locally. Nowhere seemed to sell them in the right size. That was part of the reason for the delay (also because making buttonholes and hemming are v tedious).

alex shirt front 2

Making men’s shirts is a bit tedious in general, depending on what kind of mood you’re in. Everything is incredibly fiddly.

Of course I made things harder for myself by using a check fabric, but at least I did a good job matching it across the front. I also matched the side seams but I’m not sure how noticeable this is if you’re not a sewer. None of his other shirts seem to have done it. Probably won’t bother next time.

I used these excellent tutorials for some of the fiddly bits:

Sewing a collar from Four Square Walls

Placket tutorial from Off the Cuff

Burrito yoke tutorial from Grainline

alex shirt back 3

I over-eased the back yoke a bit, next time I’ll just make the pleats deeper. The sleeves also are still too wide, I need to remember to narrow them up a bit next time.

Once again I couldn’t have sewed this shirt without my Bernina straight stitch foot. Truly it’s the best sewing purchase I’ve made this year.

shirt placket

Here’s a close-up of that sleeve placket, accessorised with Lindor.

I cut it on the bias so I didn’t have to match anything.

These are so satisfying to sew! It was my first time making them. I did do a practice one first. It’s like magic when they work.

sleeve placket

I reckon I put 10-15 hours of work in this thing, not counting all the time it took me to me make the pattern in the first place. I flat-felled every single seam and spent ages working out where to put the pocket.

I also hand-sewed on all the buttons, with the pocket and top button in red thread, as requested.

Still it was worth it in the end, as he wears it a lot. Here he is wearing the shirt while drinking beer and waiting for a burger.

shirt photo

I think one shirt a year is about my limit though.

Parka of glory – McCalls 6531

Behold the greatest thing I have ever sewn:

parka 2 800

A parka!

Okay so it’s not a real parka – it doesn’t have a proper fishtail and it isn’t lined. You probably couldn’t wear it on a scooter down to Brighton without your fellow mods laughing at you.

But I’m really proud of it all the same.

parka 1 800

This has been a long time in the making. I bought the fabric more than two years ago and the pattern and notions (it’s McCalls 6531) in April 2013.

I was planning on making it for autumn ’13 but that came around a bit too quickly…as did spring ’14…and then autumn happened again, as it tends to do.

So I actually finished this exactly when the freakish warm spell in London ended about two weeks ago.

Excellent timing as usual.

But again I don’t really care because I love it so much.

It was really fun to make. It’s an unusual shape for a jacket, with two-part kimono sleeves – I made version C.

mccalls 6531

Because it’s an unlined jacket, I decided to flat-fell every seam, even on the curved side/underarm seams which was a bit of a pain.

The insides look beautiful now though. Coats and jackets are probably the one item where people do see the inside so I guess it’s worth the hassle.

parka inside 800

The only fitting change I made was to lengthen the sleeves 2.5 inches to accommodate my gorilla arms.

The length, the pockets, and the elastic placement were absolutely perfect for me, so I think it must be designed for tall people.

parka back 800

I was worried that the dolman shape would be a bit 80s but it’s actually great for wearing big jumpers underneath. I made a large so there’s lots of room to move around.

parka sleeve
SO NATURAL AT POSING. At least you can see the sleeve shape.

This pattern has lots of fun details, like tabs so you can roll up the sleeves:


parka side 800

And cording and toggles at the top and bottom (the middle is elasticated)

I considered going for boring old brown or green cord, but I saw a parka in Whistles once that had neon binding on the hood, which was my inspiration for this.

parka toggles

The fabric is beautiful. Even though it’s unlined, the cotton twill is very sturdy so it keeps out the wind chill. And it only cost a tenner!

However, all the notions I had to buy were a lot more expensive. Here’s the rundown:

Open end heavy duty two-way zip from Jaycotts- £4.80

Two packets of antique brass snaps from Jaycotts- £8.60 each, ouch (one pack is not enough, especially if you’re crap at hammering and keep breaking them. I speak from experience).

Amazing neon cord and stoppers from – about £12

I also had to buy three spools of thread for all that flat-felling.

Incidentally, I never could have made this without my special Bernina edgestitching foot. I love it so much.

parka open 800

The pattern and instructions were actually very good, although they don’t mention seam finishing at all so you need to factor that in before you start.

The one annoying bit is that the pocket flaps aren’t functional – just decorative. I put a snap on them for looks, but didn’t bother with the corresponding bit underneath.

parka pocket 800
Pocket flap of lies

The trickiest bit was topstitching down the flap that covers the zip. 8 layers of thick twill – my poor Bernina was groaning a bit going over that. But we made it in the end.

I seriously think this is one of the best things I’ve ever made. It turned out exactly the way I planned out.

parka 3 800

I can’t think of anything else to say about this jacket, except that I love it, I want to marry it, and if I ever lose it (fairly likely given past experience) I will cry for at least two weeks.

p.s. I also made the skirt using the Home Stretch skirt pattern, but as it took 20 minutes I don’t really think it’s worth blogging separately.

p.p.s. Sorry for the excessive photos but seriously I LOVE THIS JACKET

p.p.p.s. I also have new hair! I should blog more often, at my current rate I’ll have a new hairstyle with every blog post.

Red crepe Annalotte dress from By Hand London

I made a new dress – an Annalotte.

Red BHL dress

I think this is the first red dress I’ve ever owned!

Ironically, at the wedding I wore it to, there were at least 6 other women wearing bright red. Obviously it’s a thing.

Although the nice thing about making your own dress is that you know nobody else will be wearing the exact same outfit.

So this is a cross between a By Hand London Anna bodice and a Charlotte skirt, and it was heavily inspired by Fiona’s mash-up of the same two patterns.

You have to do some shoogling of darts to get them to match up on the front and back. I kept the double darts on the back skirt and just matched up one set with the back bodice darts.

BHL Anna dress 4

You can see I also changed the sleeves and the neckline. The Anna neckline was a bit too wide for me on the last version I made, so I brought it in at the sides and scooped it out at the front.

Plus, I added a V at the back.

BHL red dress back

You can tell from that back view that this dress is basically too tight. It’s comfortable and wearable because the fabric has stretch to it, but really I could have done with a couple of centimetres more ease the whole way round.

Still I’ve worn it to two events that involved lots of sitting down, dancing and eating and it held out both times. SUCCESS.

It’s made from this amazing Prada self-lined crepe from Minerva Fabrics. Blimey this is gorgeous fabric. It’s really easy to sew, has just enough stretch, and you don’t need to line it! What more could you want?

This only took two metres, so it cost about £24, which I think is pretty good.

I hand-sewed the hem and added a really deep facing for the neckline so it didn’t flip out too much.

BHL red dress 2

Yeah, I haven’t got any better at posing during my lengthy break from blogging. But at least this time you get a lovely picturesque French backdrop.

Possibly the best thing about this dress is that it matches Alex’s kilt perfectly. Top tip – if you wear a kilt to a French wedding you get a LOT of attention.

BHL red Anna dress and kilt

And that’s it! Anyone else made an Annalotte?

Ultimate Trousers – two pairs in denim and crepe

Ultimate Trousers – now there’s a pattern with a lot to live up to. What a name.

I was actually one of the testers for this Sew Over It pattern, way back at the beginning of the year. You might have spotted my denim version during Me Made May, if you can remember that far back.

ultimate trousers me-made may

I’ve worn these a lot since making them.

I really like the fit of this pattern, especially with the deep darts at the back, but I did have to make a few changes:

  • I cut a size 14
  • Added 0.5cm to the rise
  • Made the back waist about 1.5cm higher in the centre, tapering out to the beginning of the dart
  • Lengthened the legs 4 (yes, 4) inches.
  • Added about 1cm to the front crotch seam

Here’s the battered looking pattern for visual reference:

ultimate trousers pattern changes 2

I’m pretty happy with my first denim Ultimate Trousers. They’re really comfortable for non-stretch trousers, and I like the fit.

ultimate trousers denim 2More recent photo with bonus new hair

I think the back view, (not pictured because I couldn’t face putting it online for posterity) could do with some welt pockets to break up the vast expanse.

But that would make them more time-consuming to sew, and as drafted they’re incredibly quick. There are only 4 pattern pieces!

The denim is just cheap stuff from my local fabric shop, Ultimate Craft (DOUBLE ULTIMATE) but it’s holding up well.

For my second pair I was determined to add pockets. The only way I could think of doing this was by adding a waistband as well. So that’s what I did.

ultimate trousers crepe 2

This fabric is from Fabric World on Goldhawk Road, and I was bullied into buying it by Clare, Nicole and Sally on the big sewing meet-up earlier this year. It’s an amazing, silky viscose, and I love the print.

Here’s a closer view of the waistband and pockets:

ultimate trousers crepe pockets

It was a bit shifty and annoying to sew, but I wrangled it into submission in the end. I can’t believe how well I matched the pattern across the front. It was a complete fluke. I didn’t even cut the pieces on a single layer.

It’s not matched at all across the side seams because, well, who can be bothered with that.

Here’s what the waistband and pocket pieces look like. For the pocket, I just drew a slanted line across the side of the trousers, and then traced off a vaguely pocket shaped piece to match it.

Ultimate trousers waistband pockets

To add the waistband, I just drew a line about 1.5 inches from the top of the trousers, and then traced this piece off (you can see the line in the photo). I then took this piece, folded out the dart lines, and extended it at the top. Then I added seam allowances.

This second version are so comfortable to wear. They’re definitely a step up for my lounging wardrobe, which up until now has consisted of a holey old pair of American Apparel yoga pants and some unfortunate promotional t-shirts.

I have worn them out of the house a few times, when it was really hot. They’re very lightweight.

My one reservation is that they look a bit like something you’d wear to go backpacking in Asia. This is particularly noticeable from behind for some reason:

ultimate trousers

Not saying I have anything against this look, I’m just not sure it works when you’re commuting on a rainy London bus rather than trekking through Thailand.

ultimate trousers crepe 1

I know I look like I’m telling someone to piss off in this photo but my hair looks good, so it’s staying in.

Anyway, hopefully I will be going somewhere hot and sunny next year, and then these will come in handy for public use. Until then I can reserve them for autumn nights in watching Don’t Tell The Bride and eating cheese on toast.

I definitely recommend this pattern. It’s an easy one to fit as there are no pockets, so you can quickly whip up a muslin and test the fit. And it’s comfortable without relying on stretch fabric. A good way to dip your toe into trouser-making for beginners.

You can buy the Ultimate Trousers pattern from Sew Over It here.

Blog hop

I was nominated for a blog hop question type thing by the lovely sisters at Tea for Two. I don’t usually do these kind of things but I haven’t posted for so long I thought it might be a fun way to break the silence. So here it is.

What have you been doing / making / scribbling at your desk this week?


I’ve been making a muslin of a ridiculous Joan Collin-esque one-sleeved dress in bright red crepe.

Last week I made a black denim skirt on a complete whim – it took four hours from start to finish. I love that kind of impulse sewing sometimes.

Where are you currently finding your inspiration? (Influences, heroes, sources of inspiration, paths exploring)?

I get 99% of my clothing inspiration by browsing Net-A-Porter and attempting to rip off the beautiful, overpriced clothing.

I also LOVE Pinterest, like the craft-loving cliche that I am. I’ve even got a Pinterest mug. And tote bag.

I also like perving over RTW clothing in shops and seeing how they’ve made all the different details.

Also, anything that Whistles sell. And Oliver Spencer.

Oliver spencerI want to copy this entire Oliver Spencer outfit

How important is being creative to you, and how do you blend this with your work / life / family balance?

It’s super important for me to have something creative to focus on outside work.

Even though I haven’t been blogging lately, I’ve been sewing a lot. If I have to choose to spend my time sewing something or blogging, I choose the first one every time, although it pains me not to be talking about it on here.

When I’ve got a sewing project on the go it’s pretty much all I think about. I put the pieces together and run through the steps a hundred times in my head before I do it in real life.

I love planning a project from start to finish like my green skirt. When it turns out like the picture in your head – there’s nothing better than that.

I do find it difficult to keep things balanced though. This year has been so busy. It’s really hard to find the time to make stuff.

One thing I really miss is drawing. I’m not very good at it but you never look at something so closely as when you’re drawing it. It really fixes objects in your head in a unique way.

I’m nominating Marilla Walker and Katie of What Katie Sews to answer these three questions next, if they’d like to…

My Minerva outfit reveal: floral crop top and pencil skirt

So it’s taken me FOREVER to write this post, and you’ve probably already heard about the Minerva meetup on a million blogs.

You know about the Raiders Of the Lost Ark style craft warehouse, the amazing dinner at Blackburn Rovers FC, and the red carpet line-up, as well as the realisation that the £3 taxi ride exists when you leave London.

So this post is just about my outfit. Thanks to Katie for taking some of the photos (you’ll be able to spot them, they’re the good ones).

The outfit

I knew I wanted to make something different, and in the end I came up with the idea of a pencil skirt and crop top:


Originally I was going to sew some kind of crazy one-shouldered 60s pencil dress, but when the fabric arrived (this beautiful John Kaldor stretch cotton) I knew I had to do something simpler. The print is huge! And I didn’t really fancy a shift dress. So co-ordinates it was.

The pencil skirt

It’s a By Hand London Charlotte skirt, which is really straightforward to sew. I made these changes to the pattern:

  • Cut a size 12 but added length to the waistband, which I interfaced.
  • Lengthened the darts 1.5cm each at the front, as I was getting a strange fold of extra fabric there.
  • Interfaced the edges of the invisible zip.
  • Added a back vent using this tutorial.
  • Lined it with this stretch mesh.

Stretch cotton is absolutely perfect for this pattern, I’ll be looking for some more to make another one. Although you need to add a vent – not sure how you could walk in it without one!

Minerva outfit 2The crop top

It’s a Burda pattern – 05/2012 #131.

I cut out a size 34 and had to make some serious changes as it was huge. I took the sides in a lot, cut about 4 inches off the bottom, added back darts and neck darts, and swapped out the button band for a zip.

Here’s how it looks on the back:

Minerva outfit backI did make an effort to match the pattern on the back pieces, but I didn’t bother with the sides. You’ve got to pick your battles.

Everything else

Cutting out was an enormous pain. I did it all on a single layer as the print is so huge. I didn’t really want to end up with a massive flower over an anatomical feature.

My inspiration was this outfit from Jonathan Saunders which is slightly more classy:

Jonathan SaundersIt’s pretty tricky to know exactly how much midriff to expose, but I was limited due to zip size.

The separating plastic zipper is from Jaycotts, and I had to choose between the 14 and 16 inch variations without knowing exactly how long the top would be. In the end I went with the 14 inch, which worked as the skirt was so high waisted.

crop top zip close-upZIP ENHANCE

Will I wear it again?

The acid test. As a whole, I reckon the outfit works, and I might get it out for a wedding this summer. It turned out slightly more cartoonish than I intended, but I think I rocked it anyway.

It seems highly unlikely that I’ll wear the crop top with another skirt – the Charlotte is the most high-waisted skirt I own.

I did try the top on with another skirt, but it was all a bit 90s looking. I distinctly remember wearing a tie-dye crop top to a school disco in about 1996, so I think I’ll leave that style the second time round.

The skirt is a different issue. I’ve already re-worn it loads! It looks really good with a denim shirt, if I say so myself:

pencil skirt and denim shirt

Thank you Minerva!

Huge thanks to Vicki and everyone at Minerva for organising such an amazing day. I’ve been a terrible network member lately, massively behind with projects and blog posts, but I really enjoy being part of it all, and I sincerely hope I’ve managed to shift some fabric for them. They deserve it!

Also a big thank you goes out to all the ladies of the online sewing community, for being awesome.  I’d be living a much sadder life if I’d never met all these amazing women. Although I’d probably have spent less money on fabric.

Picture 3
Spoolettes forever

Log-cabin patchwork cushion

So, I finally made something useful out of all those fabric scraps I can’t stop hoarding (it’s becoming a serious problem – I do a cull every six months, but I think they’re breeding inside my plastic IKEA boxes…)

It’s a log-cabin cushion cover! Behold the glory:

logcabin cushion

We’ve talked before about the massive high of trying a craft for the first time, when you’re totally clueless about all the mistakes you’re making.

This cushion definitely qualifies for me. It’s pretty wonky and is not going to win me any rosettes at the WI fete, but it was a total thrill to put together.

Here’s the back where you can see the construction (and wonkiness) more clearly. Another brilliant thing about patchwork – no seam finishing!

patchwork back

I used this super-helpful tutorial and cheat sheet to work out what strips to cut. I aimed for yellow on one side and blue on the other, but tried to mix it up a little bit so it didn’t look too much like the Ukrainian flag.

All the fabrics are scraps that I’ve been saving for years. The insects and the bikes were screenprinted by me in various classes, and you might spot bits of other projects here and there.

I didn’t cut all the strips to length in advance, just did it as I went along. This ruler, recommended by someone on Twitter, was super-useful, along with my rotary cutter and mat.

The back is entirely made from the chambray left over from my recent shirt project, and the buttons are vintage ones from my stash:

back of cushion

Although I enjoyed making this, I can’t see myself going over to the dark side and becoming a full-on quilter. Precision is not my strong suit.

Also, I didn’t actually quilt this as you can see, just backed it with some yellow fabric to hide those messy seams, and then overlocked the edges before making the cushion cover.

To finish, I thought you might enjoy this view of my sewing room mid-construction. I think tidying up took longer than making the actual cushion…

patchwork mess

Minerva Blogging Network: Chambray shirt (Vogue 1323)

I’ve finally jumped on the chambray bandwagon!

chambray shirt 1

Yes, I may be five years behind the rest of the blogging world, but at least I got there in the end.

This is my latest Minerva Blogging Network project, and the pattern is Vogue 1323. I’ve wanted to sew this ever since I saw Erica B’s heavenly version in hot pink.

Mine isn’t quite as slinky, but it’s a lovely little spring shirt and was fun to sew. You can read my full post about it on the Minerva network here.

Chambray shirt closeup

The fabric is gorgeous but it does tend to wrinkle. I promise that I ironed the shirt before I took these photos, even if you can’t really tell.

Somehow, even though I spent ages matching everything, the pockets have come out wonky at the bottom. Look at the photo – the pocket on my left is about a cm lower than the pocket on my right.

This is DEEPLY annoying, as I swear they were even at one point. I think I caused the wonkiness when I sewed the placket.

Here’s an in-progress shot, you can see that the left pocket has already started to creep down…

chambray shirt in progress

I’m not convinced that I sewed the bottom of the button placket correctly, as the instructions were brief and v obscure. So that may be the reason.

Oh well, I don’t think anyone will notice.

If they do, hopefully they’ll just think I have one bosom larger than the other. Better that than shoddy sewing skills.

French seams on armhole seams

The instructions for the rest of the shirt were good. They tell you to do french seams all over the shop, even on the sleeves, and I obediently followed. It makes for a lovely clean finish, which is good as this fabric does fray a bit.

chambray skirt back

I don’t always do what it says on pattern instructions, but I tend to think they know best, even if what they’re saying is obviously ridiculous. Also, I always read instruction manuals, which may be a connected habit.

Just a small insight into my psyche there for you.

You can buy the kit for this project here for £34, which includes everything down to the thread (chosen by clever Vicky at Minerva, and it’s a perfect match). You even get a trouser pattern thrown in by Vogue for no extra! How can you resist?

p.s. You might recognise the trousers from a previous Minerva project.

chambray shirt 2

Me-Made-May 2014: Week 1

So my Me-Made-May challenge this year is to wear 90% handmade clothing.

I am excluding RTW knitwear, because a world without cardigans and jumpers is a world I don’t want to live in. But I’m going to try and wear entirely me-made shirts, skirts, tops and trousers.

This should make life a bit more difficult, and keep my third MMM interesting, as well as showing up all the gaps in my handmade wardrobe.

I’m posting every day on Flickr (and sometimes on Instagram) but I’ll do a round-up here every Sunday.

Here’s what I wore for the first 4 days (click for a larger version):

MeMadeMay14 Days 1-4
Day 1, At work – New, unblogged sweatshirt, blue wool Moss skirt, necklace from COS.

Day 2, At work – Moss denim skirt (this has seen better days and think I’m going to have to throw it out. Sad times). Plantain top, cardigan from H&M.

Day 3, All day hen do involving a canal boat, dinner, and karaoke – Wearing my Vogue 8728 dress and a cardigan from COS.

Day 3, General bank holiday lazing around and drinking – Wearing an unblogged knit pencil skirt from the same fabric as my Plantain, McCalls 6355 top, and a jumper from Uniqlo.

That top I’m wearing on day 1 is my new favourite sweatshirt. Here’s a slightly closer look:


I made this using the basic set-in sleeve pattern from Built By Wendy Home Stretch (buy this book! It’s amazing), using the same fabric as this skater dress.

It was ripped off from inspired by a jumper I saw in the menswear department at COS. All I did was cut a yoke for the front and back, using the wrong side of the fabric.

I also cut the neckband with the wrong side facing out. The cuffs and band at the bottom are just doubled up fabric strips, and the whole thing was sewn on my overlocker and took about 2 hours.

I have the itch to make more sweatshirts now. Working with knit fabrics feels like cheating, it’s so easy and quick!

If you’re taking part in Me-Made-May 14, how are you finding it so far? Easy/hard/inspiring/challenging?

Minerva Project April: Green ponte Anna from By Hand London

I made a new dress!

It’s my latest Minerva project and you can see the write-up on their (new and improved!) blog here.

Green dress 3
Here’s the details:

Pattern: The Anna from By Hand London

Fabric: Ponte in ‘Forest’ from Minerva Crafts (this stuff is the best ponte ever. Highly recommended).

Bookshelves: IKEA Billy

Green dress 1

Verdict: I like this dress but have only worn it once – the boatneck feels oddly formal for everyday wear. Also, I am waiting for bare legs (or at least nude tights) weather to return.

green dress back

green dress 2

Buy the kit here, or visit the Minerva blog for more details.

Burda plaid skirt (again) and Goldhawk Road

Oh hey there! What’s new? I’ve just been hanging out in front of my house, catching some spring rays.

Kew Palace skirt

Oh alright, that’s not really my house, it’s Kew Palace. But don’t you think it coordinates rather nicely with my new skirt?

This skirt has been a long time in the making. With my usual stunning timing, I bought the fabric on a Goldhawk Road shopping trip in September, thinking it would be perfect for autumn.

I cut out the pieces in December, and didn’t get round to sewing them until March, just in time for spring. Which is no longer the perfect season for a lined wool tartan skirt.

Well, this skirt may be distinctly autumnal in hue, but I think I can wear it for a bit longer. It camouflaged well with the Kew Gardens foliage anyway.

Kew gardens skirt 2

Pattern details:

The pattern is Burda 02/2010, and you may recognise it from an earlier version.

This skirt is a replacement for that previous one, which I sadly shrank in the wash. It’s the perfect A-line skirt pattern.

As with any plaid, the cutting out was tedious beyond belief. I laid out all the pieces on a single layer of fabric to make matching the stripes a bit easier, and cut the pockets and waistband on the bias to avoid having to match those.

My skirt has pockets

Flowers kew gardens

Lining and zip:

I neglected to take any pictures of the inside but I lined it with a lovely heavy brown fabric which was also purchased on Goldhawk Road.

I don’t know what it’s called, but it’s a lot heftier than any polyester lining I’ve used before, and actually nice to sew with. Which makes a change.

Excuse the boasting, but I just have to point out my pattern matching skillz on the back (please to ignore the wrinkles and stray bits of thread.)

skirt stripe matching back

I used the Crescent skirt sewalong zipper method which is my fave for lined skirts. After avoiding the cut-out pieces for so long, the whole thing only took one evening to put together. I even hand-hemmed it which is pretty rare for me.

Speaking of rarities, isn’t it nice to see a different photo backdrop on this blog? I’m afraid it’s probably back to depressing grey hallway pictures soon, so don’t get too used to it.

kew skirt 3

My favourite thing about this skirt is the number of different colours in the plaid.

I spotted it at the bottom of a pile in Classic Textiles (I think), and it goes with nearly every one of my jumpers. Stylish AND versatile! I like it.

Here’s some more colours from Kew Gardens in homage:

purple tulips

Chairs at Kew Palace Kitchens

Is it too late to save Goldhawk Road?

Kew Gardens may be a London landmark, but so are the textile shops on Goldhawk Road, where I bought the fabric to make this skirt. And those shops are still in danger of demolition.

Depressingly, from this article it seems like the area will definitely be redeveloped, but I’m hoping there’s still a chance the shops can be saved. There’s a Facebook group here which is campaigning against the changes.

It’s a shocking state of affairs when well-loved and well-used local businesses can be torn down to make way for 194 luxury apartments‘, but billionaires can buy rotting mansions as investments and let them sit empty and unused. London property prices are out of control and it’s changing the face of the city.

I have no ideas on whether’s there’s anything we can do about this apart from making voodoo dolls of local politicians. If anyone has practical suggestions I’d love to hear them.